Zora Neale Hurston’s ‘Fieldwork Footage’ (1928)

In honor of her birth:


“African-American anthropologist Zora Neale Hurston, before she became a noteworthy novelist, used the loan of a camera to photograph fifteen reels of film preserving the heritage of southern African-American culture.

Of these reels, only nine are known to have survived and contain black & white, occasionally grainy footage capturing children at play, a baptism in a river, a logging camp, and footage of octogenarian Cudjo Lewis, the final survivor from The Clotilde, the last arriving slave ship to America (in 1859). No intertitles are presented with these clips, although the musical accompaniment is comprised of spirituals and bluegrass music.

Hurston’s patron was Charlotte Osgood Mason, a rich supporter of the Harlem Renaissance art movement. Mason provided Hurston with travel expenses and the 16mm camera to capture her evocative documentary footage. Although the footage photographed by Hurston was to be spliced together into a documentary, this never occurred.”

(via HipHopRepublican)


One thought on “Zora Neale Hurston’s ‘Fieldwork Footage’ (1928)

  1. Pingback: Anthology Film Archives Highlights East Village ForaycationsThe Dairy Free Traveler

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s